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Erotic art or pornography? “That which is pornography to one person is the laughter of genius for the other.” — D. H. Lawrence

How is it that the foot and the toes are credited with such strong sexual connotations? Do they represent something out of the ordinary to the human subconscious? How otherwise could these unremarkable parts of the body seem erotic? And what has their appeal to do with the Eternal Mystery that is Woman? Often left uncovered, in former times when total nudity was forbidden or considered unseemly, the foot and its shape allowed the imaginations of observers to roam wild. The only part of the body of a woman occasionally visible (unlike those visible normally or those never visible normally), it inevitably became a symbol for the whole body, as fantasized. These are the questions to which Hans-Jurgen Dopp here applies himself, supporting his conclusions with a remarkable collection of rare illustrations.

Feet – Ishism

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Fuss-Fetischismus

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Le Fétichisme du pied

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Erotic Fantasy

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Erotische Phantasien

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Fantaisies Erotiques

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Kama Sutra

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Karma Sutra (German)

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Kama Sutra (French)

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Kama Sutra (Spanish)

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Love

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Love (French)

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Sex in the Cities – Vol 1 (Amsterdam)

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Sex in the Cities – Vol 1 (Amsterdam) – German version

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Sex in the Cities – Vol 1 (Amsterdam) – French version

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Sex in the Cities – Vol 2 (Berlin)

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Sex in the Cities – Vol 2 (Berlin) – German version

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Sex in the Cities – Vol 2 (Berlin) – French version

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Sex in the Cities – Vol 3 (Paris) 

Sex in the Cities – Vol 3 (Paris) – German version

Sex in the Cities – Vol 3 (Paris) – French version

Forbidden Asia

Erotische Kunst aus Asien

Voluptés Orientales

Pascin

Jules Pascin und Kunstwerke (German)

Jules Pascin et œuvres d’art (French)

Book-Erotic-Photography

Erotic Art Photography

Das erotische Foto

La Photographie érotique

Erotic Phography

Die erotische fotografie

Fotografía erótica

1000 Erotic works of Genius

1000 Erotische Meisterwerke

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9781783109388

1000 Chefs-d’oeuvre  érotiques

9781783109401

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Egon Schiele

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Egon Schiele

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Egon Schiele

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