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The Darker Side of Mark Rothko
More than 50 years after Russian-born Mark Rothko was commissioned to create mural canvases for the nondenominational Rothko Chapel, the Museum of Fine Arts in Houston is set to display the largest exhibition of his works since the late 90’s. Not too long before the chapel opened its doors, its artist took his life in a heartbreaking tradition seen by many artists like himself; self-annalistic and continually misunderstood (overdose of pills and razor blade to the wrists). Depressing? So was the last period of his work, marked by his twenty-five painting series: Black on Gray, a desolation of canvases choked by a white border, leaving the viewer acutely aware of…
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The Reinvention of Black
As the means of creating the color black have changed, so have the subjects it represents. Suddenly, black was everywhere. It caked the flesh of miners and ironworkers; it streaked the walls and windows of industrial towns; it thickened the smoky air above. Proprietors donned black clothing to indicate their status and respectability. New black dyes and pigments created in factories and chemical laboratories entered painters’ studios, enabling a new expression for the new themes of the industrial age: factory work and revolt, technology and warfare, urbanity and pollution, and a rejection of the old status quo. A new class of citizen, later to be dubbed the “proletariat,” began to…






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