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Spotlight on Chaïm Soutine

The text below is the excerpt from the book Chaïm Soutine, written by Klaus H. Carl, published by Parkstone International.

Self-Portrait, c. 1918. Oil on canvas, 54.6 x 45.7 cm.
The Henry and Rose Pearlman
Foundation, Inc., New York; on longterm loan to the Princeton University Art Museum.

Chaïm Soutine was born in 1893 (some biographies cite his year of birth as sometime after 1894) in Smilavichy, a village near the city of Minsk in the current state of Belarus, inhabited at that time by less than a thousand residents. Smilavichy lies in the former Principality of Polotsk, an urban area of the East Slavic Dregowitschi and Kriwitzen that had joined forces with other ethnic groups in the 9th century. This area formed the basis of the Old Russian state of Kievan Rus’, and belonged from the 14th-16th century to the Grand Duchy of Lithuania. In the 18th century, this region, also referred to as Ruthenia, developed hesitantly and only in the 19th century did it develop a real national consciousness. This was initially difficult, as the entire area was centrally ruled from St Petersburg and was subject to massive attempts of ‘Russification’, which included the maltreatment of the Polish upper class and the banishment of the native dialect.

Portrait of Madame Castaing, c. 1929.
Oil on canvas, 47 x 46.4 cm. Private collection.

In the Principality of Polosk lies the city of Minsk, founded as a fortress during the first half of the 14th century. It was first recorded in 1067 and belonged to Lithuania in the first half of the 14th century and again at the end of the 18th century, following the third of the three partitions of Poland (1772, 1793, and 1795), in which Prussia, Russia, and Austria were involved, and during which the entire state of Belarus became part of the Russian Empire. Minsk had received its town charter already in 1499. The city was dominated by the twin-towered Cathedral built in 1611, and it was surrounded by three other Christian churches and monasteries. Reflecting the high proportion of Jews within its population it also had a synagogue and at least forty Jewish houses of worship, and has been the capital of Belarus since 1919.

Landscape with Reclining Figure, Champigny, c. 1942-1943.
Oil on canvas, 69.9 x 88.9 cm. Private collection.

In the region of Minsk, there lived many East European Jews who practiced their traditional crafts, which passed on from father to son in many families, although the population has greatly decimated since then. The community remained faithful to the traditional life habits and adhered to the strict rabbinical orthodoxy – the essential characteristics of which can be found in shtetls (close-knit Jewish communities mainly found in Galicia and Eastern Europe), the Yiddish language, and Hasidism. In small towns, the Jewish inhabitants were not only tolerated but, despite intermittent persecutions, accepted. The religious and conservative Hasidim seek an internalisation of religious life, lean towards asceticism, and form a close attachment to a Rebbe (master or mentor) as God’s teacher. In the arts, Marc Chagall (1887-1985) is one of the most famous adherents of the Hasidim.

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