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[Part 2/3] Cubism: The Bermuda Triangle
From ancient history until the end of the 18th century, artwork was evaluated according to its content. The material from which the artwork was made played a subordinate role. The premise was that an idea in its most complete and ideal state is Pablo Picasso immaterial; thus, to a great extent, the material is secondary to the idea that it is helping the artist to express. Materials were placed in the hierarchical order that was determined by how little they would impinge upon the purity of the artistic premise. Only in the 20th century did the aesthetics relating to materials take hold. Material justice now became one of the criteria…
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Bone Chiller: “Between Two Mysteries” exhibition from the inside out
Sticks and stones break bones, but impressions and perceptions can surely work you over like a prisoner dropping the soap. What is reality but a messed up puzzle of colour and form that we imbue with our own individual meaning? Our world is the combination of mental and physical, and with each person infinitely different, there are endless possibilities for reality. The current exhibition, Between Two Mysteries, at Galerie Quynh in Saigon, leaps headfirst into the idea of our perceptions of the world and juxtaposes two seemingly disparate collections, Ink Kingdom by Truc-Anh and Lightning in U Minh Forest by Hoang Duong Cam, to slap the viewer in the face…






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