Parkstone Art

This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.

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  • About us
  • Our Sites
    • Parkstone main website
    • Ebook Gallery
    • Image-bar
  • Catalogue
  • Art Book List
  • Audiobooks
  • Hardcover Book Shop
  • Languages
    • English
    • Deutsch
    • Français
    • Español
    • Italiano
    • 中文
  • Art and Design,  Art Exhibition,  Art in Europe,  Français

    William Morris: Un motif est soit vrai soit faux…Il n’est pas plus fort que son point le plus faible

    March 13, 2018 / 0 Comments

    Exposition: William Morris and the Arts & Crafts movement in Great Britain Date: 22 Février − 20 Mai 2018 Lieu: Musée national d’art de Catalogne | Barcelone Espagne William Morris est né le 24 mars 1834 à Walthamstow. Rien dans son enfance ne laissait penser qu’il grandirait pour devenir un être d’exception. Son père était l’associé d’une maison de change prospère et la famille continua à vivre une situation confortable même après son décès en 1847. L’enfance de Morris fut heureuse sans être pour autant exceptionnelle. A l’âge de treize ans, il fut envoyé à l’université de Marlborough. Il s’agissait à l’époque d’une nouvelle école quelque peu laxiste sur la discipline. Cela…

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    Design-and-decoration

    Design and Decoration: Art Deco, Jewelry, Fashion, and Architecture

    October 16, 2018
    Portrait d’isabel Styler-Tas, 1945

    Salvador Dalí – L’énigme sans fin

    September 2, 2022
    Louis Comfort Tiffany

    Louis Comfort Tiffany: Meister des Glases, Wegbereiter des Designs

    May 8, 2025
  • Art,  Art Exhibition,  Art in Europe,  Artist,  English

    William Morris: A Pattern is either right or wrong…It is no stronger than its weakest point

    March 12, 2018 / 0 Comments

    Exhibition: William Morris and the Arts & Crafts movement in Great Britain Date: February 22 – May 20, 2018 Venue: Museu Nacional d’Art de Catalunya | Barcelona Spain From the middle of the nineteenth century to the beginning of the twentieth century, we have passed through a period of aesthetic discontent which continues and which is distinct from the many kinds of discontent by which men have been troubled in former ages. No doubt aesthetic discontent has existed before; men have often complained that the art of their own time was inferior to the art of the past; but they have never before been so conscious of this inferiority or…

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    Parkstone International

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    Bienal de Curitiba

    September 29, 2017
    Mr. et Mrs. Andrews, vers 1750

    Le Rococo

    February 25, 2022
    Bakst

    From stage to canvas: The unique art of Léon Bakst

    April 29, 2025
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