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Baroque: A taste for movement, dramatisation and decorative exuberance
The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists’ response to the Catholic Church’s demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts.
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Rococo
Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linked to its predecessor, Baroque, and it is thus also referred to as late Baroque style.
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Bonnard and the Nabis – The painting of rebellious Post-Impressionist artist
Pierre Bonnard was the leader of a group of post-impressionist painters who called themselves the Nabis, from the Hebrew word meaning ‘prophet’. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionized the spirit of decorative techniques during one of the richest periods in the history of French painting.
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Plain Jane or Fancy Pants?
I’m a rather plain girl in the sense of THINGS. Function beats form any day as far as I’m concerned (this, of course, excludes a previous post concerning my unhealthy affinity for shoes), ensuring that I will never be counted amongst the infamous and (for unknown reasons) publicised “Gold Diggers” of the world, which is surely a very real concern for any young woman of the 21st century. It took me ages to switch over to the “smart” phone, which only lasted about a year; as soon as it was possible I reverted back to a “dumb” phone – as long as it calls, texts, does math (because I can’t),…
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Is china called china because it’s from China?
Do you have any strong feelings about Chinese porcelain? Because I don’t. And when I wrote to my friends to ask them for some inspiration, neither did they. (One friend told me he found it ‘irresistibly erotic’, but if you ask a stupid question…) My point is, when I found out that, as part of a celebration to mark Frederick the Great of Prussia’s 300th birthday (posthumously, I might add), the Museen Dahlem is exhibiting his collection of Chinese Porcelain pieces, I was a bit… ambivalent. I can’t even bring myself to hate the idea, that’s how little I care about Chinese porcelain, or indeed porcelain in general. Maybe it’s…
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