Date: September 9, 2017 – January 14, 2018 Venue: Moderna Museet Stockholm Throughout her long artistic practice, Louise Nevelson (1899–1988) explored the potential of the collage. Influenced by cubism and Jean Arp, she began early in her career to make sculptures and assemblages out of wood objects she found in the street and painted black. In the 1950s, the sculptures left their plinths and filled entire walls in a scale approaching abstract expressionist paintings. At the same time Nevelson was discovering another style in the collage, which enabled her to easily and intuitively explore subjects in smaller formats. Slips of paper, newspaper cuttings and sooty scraps of wood were combined…