Parkstone Art

This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.

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  • About us
  • Our Sites
    • Parkstone main website
    • Ebook Gallery
    • Image-bar
  • Catalogue
  • Art Book List
  • Audiobooks
  • Hardcover Book Shop
  • Platforms List
  • Languages
    • English
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    • 中文
  • Le Mariage de la Vierge, Luca Giordano, vers 1688, Portraits de Vierges, Klaus Carl
    Français

    Portraits de Vierges

    April 30, 2021 / 0 Comments

    L’art a été profondément marqué par la figure de la Vierge Marie, le symbole de la maternité, rayonnante de jeunesse, de tendresse et de compassion depuis deux mille ans. Les œuvres d’art constituent des commentaires visuels, à la fois sur l’évolution de l’art occidental et sur celle de l’image de la femme dans la société.

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    Parkstone International

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    Instantanés de l’Amérique.

    December 2, 2013
    Motel à l’Ouest (Western Motel), 1957

    La solitude poétique de l’homme confrontée à « l’American way of life » chez Hopper

    December 2, 2022
    Fra Angelico

    Le pinceau céleste de Fra Angelico : Maître de la première Renaissance

    December 8, 2023
  • Madonna della Cintola, Benozzo Gozzoli, 1450-1452, Madonnen, Klaus Carl
    Deutsch

    Madonnen

    April 29, 2021 / 0 Comments

    Zur Zeit der Renaissance porträtierten die italienischen Maler traditionell die Frauen ihrer Mäzene als Madonnen. Über Jahrhunderte hinweg wurde die Jungfrau Maria in religiösen Gemälden als milde und beschützende Mutter Gottes gemalt.

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    Jugendstil

    Von Plakaten bis zu Palästen: Die zeitlose Anziehungskraft des Jugendstil

    April 3, 2025
    Die Englische Malerei

    Die Grundlagen der Kunst: Die alten Meister in der englischen Malerei

    January 2, 2025

    Ruskin – Modigliani: Der Skandal der Schamhaare

    December 4, 2017
  • Presentation of the Virgin at the Temple, Nicolas Dipre, c.1500, Virgin Portraits, Klaus Carl
    English

    Virgin Portraits

    April 27, 2021 / 0 Comments

    During the Renaissance, Italian painters would traditionally depict the wives of their patrons as Madonnas, often rendering them more beautiful than they actually were. Over centuries in religious paintings, the Madonna has been presented as the clement and protective mother of God. However, with the passing of time, Mary gradually lost some of her spiritual characteristics and became more mortal and accessible to human sentiments.

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    Book: The Viennese Secession

    August 11, 2017
    Rembrandt Harmensz van Rijn, Saint Paul Meditating, c. 1627-1629. Red chalk with white highlights and Indian ink wash, 23.7 x 20.1 cm. Musée du Louvre, Paris

    Drawing Towards the Limelight

    April 17, 2015
    Medieval Iran, Persia

    Inside Medieval Iran: The art of a Civilization

    February 17, 2026
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