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The depiction of Hell and Heaven in Art of the Eternal
Since the first funerary statues were placed in the first sepulchres, the ideas of death and the afterlife have always held a prominent place at the heart of the art world. In this work, Victoria Charles analyses how, through the centuries, art has become the reflection of these interrogations linked to mankind’s fate and the hereafter.
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Virgin Portraits
During the Renaissance, Italian painters would traditionally depict the wives of their patrons as Madonnas, often rendering them more beautiful than they actually were. Over centuries in religious paintings, the Madonna has been presented as the clement and protective mother of God. However, with the passing of time, Mary gradually lost some of her spiritual characteristics and became more mortal and accessible to human sentiments.
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The Virgin in Art
“To Our Lady of Guadalupe Madonna of the Old and the New World with gratitude.”
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Oh, If I Were a Symbolist
Symbolism: What is it when it’s at home? What was the point that the artists were trying to achieve? And how should it be interpreted? Let’s start with the what. This was a technique brought into vogue by the young painters of the late 19th Century, stemming from French literature (and later, Russian and Belgian); this is where many of the Symbolists gathered inspiration from. The aim was to portray the idea of a subject, to give the suggestion of the true meaning only; poetry in art. They accomplished this by using line, colour, and composition (other elements include tone, texture, space, and shape) in their work, and adapted the…
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