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Art of Islam – Splendours of Islam
Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.
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A complete panorama of historical Chinese arts and civilization
Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation.
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Islamic art is not the art of a nation or of a people, but that of a religion…
Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value.
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1000 Buddhas of Genius
Perfect for all those passionate about Asian art, from neophytes to Buddhists, this fascinating work invites the reader to discover or rediscover Buddha, his history, his codes, but also his innumerable faces through one thousand representations selected from among the most beautiful works held in the world's greatest museums.
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The Art of Utamaro
The text below is the excerpt from the book Utamaro (ASIN: B016XN18LC), written by Edmond de Goncourt, published by Parkstone International. To leaf through albums of Japanese prints is truly to experience a new awakening, during which one is struck in particular by the splendour of Utamaro. His sumptuous plates seize the imagination through his love of women, whom he wraps so voluptuously in grand Japanese fabrics, in folds, contours, cascades and colours so finely chosen that the heart grows faint looking at them, imagining what exquisite thrills they represented for the artist. For women’s clothing reveals a nation’s concept of love, and this love itself is but a form of lofty thought crystallised…
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Art of Vietnam
The text below is the excerpt from the book Art of Vietnam (ASIN: B07C2JLY7X), written by Catherine Noppe and Jean-François Hubert, published by Parkstone International. Situated on the eastern extremity of what is known as Southeast Asia, Vietnam finds itself at the confluence of two worlds. With China to the north and Laos and Combodia to the west, Vietnam has long been subject to a double-influence; one nicely captured by the French term, first introduced in the 1840s , “Indochine” (Indo—China). Endowed with a coastline more than two thousand kilometers long, Vietnam’s eastern seaboard gives it access not only to the Philippines and Indonesia, but also to China and Japan, commercial opportunities that were…
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India and its Art
The text below is the excerpt from the book Art of India, written by Vincent A. Smith, published by Parkstone International. In discussing Indian studies I am forced to acknowledge considerable diffidence arising from a survey of the huge bulk of material to be dealt with. In the face of this complexity I find myself inclined to rely on evidence that is subjective and therefore more or less unscientific, in which personal experience and interpretation is increasingly stressed. In speaking of India, a country that in its wide extent offers more beauty to the eyes than many others in the world, a descriptive vein may well be excused. India is multiple; neither geographically,…
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Mary Griggs Burke: Bringing Japanese Art to the Forefront
Mary Griggs Burke is not a name many have heard of but when she passed away in 2012, there were many mournful faces, specifically from those in the art world. Recognised as having the largest private collection of Japanese art outside of Japan, Griggs Burke had quite an impact on the emergence of Asian art in the United States. “The beauty of the Japanese aesthetic first struck me when I saw my mother’s kimono, a padded winter garment of black silk displaying at the knee a bold design of twisted pine branches covered with snow.[…] It was then, I believe, that a future collector of Japanese art was born.” Due…
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