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William Morris and His Plea for an Industrial Commonwealth
It examines Morris's enduring vision of an industrial commonwealth and its lasting influence on art, design, architecture, and social thought.
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Beneath the Surface: The Untold Story of Men’s Underwear
Undergarments are concealed, flaunted, stretched or shortened, establishing a game between yesterday’s illicit and today’s chic and thereby denouncing the sense of disgrace that these simple pieces of clothing used to betray.
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Finding true beauty in “Homosexuality in Art”
This book is not a panegyric of homosexuality. It is a scientific study led by Professor James Smalls who teaches art history in the prestigious University of Maryland, Baltimore. Abandoning all classical clichés and sociological approaches, the author highlights the sensibility particular to homosexuals.
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The Story of Men’s Underwear
Men’s fashion, particularly the trends involving undergarments, was once reserved for the elite; today it has become democratised, clear proof of social progress. Mirroring the evolution of society’s values, the history of underwear also highlights the continuous, dancing exchange that exists between women’s styles and men’s fashion.
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Sticks and stones may break my bones, but words will never hurt me
As much as elders tell young children to dismiss name-calling or bad words, words possess a stronger meaning than most people care to admit. A photograph may be worth 1,000 words, but can a word not also invite 1,000 ideas or influence 1,000 images? Art is subjective to the viewer’s personal history, and language is supposed to be agreed upon by the general audience, with dictionaries giving precise definitions to every word. But neither Merriam nor Webster can anticipate the insurgence of connotative meaning that can ultimately redefine a word in a specific culture. The importance of language and its relationship to art is currently being examined at the Tate…
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Filth for Filth’s Sake
It is not the mission of art to wallow in filth for filth’s sake, to paint the human being only in a state of putrefaction, to draw cretins as symbols of motherhood, or to present deformed idiots as representatives of manly strength. So declared Adolf Hitler in 1935, leaving no uncertainty over his views on much of modern art. Many German and Austrian artists at the time were trying to express their own views of the world and their anger and despair towards society following the horrors of the First World War, yet Hitler saw only intolerable statements undermining his vision of a perfect German society. In 1937, the Degenerate…
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