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Paul Gauguin and the Impressionists (part 2)
You can read part 1 here. The text below is the excerpt from the book Paul Gauguin, written by Anna Barskaya, published by Parkstone International. Gauguin’s deviation from Impressionism first manifested itself during his stay in Rouen. It is particularly evident in his plastic works, a case in point being the carving of a small wooden jewellery box. The decor of the external sides ornamented with theatrical masks and ballet dancers in tutus (a design borrowed from Degas) is in striking contrast with the corpse-like figure in the bottom of the box, which is reminiscent of a Peruvian mummy. This clash of motifs – worldly amusements and death – leaves no doubt as…
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Degas: The Impressionist that Wasn’t
When is an Impressionist not an Impressionist? Answer: when that Impressionist is Edgar Degas. Degas is considered to be one of the key participants in the Impressionist movement; however, he took objection to this and tried to distance himself as much as possible from being characterised in this manner. Whilst his contemporaries delighted in spontaneity, bright colours, and the effect of light, Degas maintained that his art was completely devoid of spontaneity. The study of the old masters and an interest in realism and composition, this is what shaped the artist’s work and style. This evolution in personal style and approach to art is reflected in the change in genre…
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Rad fads & turbulent times
We might all be able to agree that most of the world is a mess. The Americas and Europe have taken a ginormous step back in terms of production, innovation, and general flourishing. Many of our nations and states are in obscene debt which appears to be stagnant or rising and there is no end in sight. So then, what should be next? Vampires and Zombies aren’t getting us anywhere
This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.
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