Parkstone Art

This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.

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  • About us
  • Our Sites
    • Parkstone main website
    • Ebook Gallery
    • Image-bar
  • Catalogue
  • Art Book List
  • Audiobooks
  • Hardcover Book Shop
  • Languages
    • English
    • Deutsch
    • Français
    • Español
    • Italiano
    • 中文
  • Art Exhibition,  English

    The Good, the Bad, and the 17th Century

    April 4, 2013 / 0 Comments

    Here we are again at the 17th century, the time of Master Rembrandt and his many self-portraits. But, frankly, when I consider wanting to go back in time, I don’t fancy returning to the 17th century. There were a tonne of wars. Famines in Russia, France, and Finland and a plague in both Seville and London. Shakespeare died, for crying out loud – I’m still mourning this loss.     The Good: Jamestown, Virginia was established – which later led to a massacre of 347 English settlers by the natives (essentially score one and only) St Peter’s Basilica was completed Torture was outlawed in England (we’re still waiting for that…

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    Parkstone International

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    Der Erwerb des Seelenheils

    September 18, 2012

    Die Rache des Kaisers

    January 28, 2014
    Robert-Delaunay-Formes-circulaires-soleil-et-lune-1912

    Gründungstext: Die Maler des Kubismus von Guillaume Apollinaire

    November 14, 2018
  • Art Exhibition,  English

    Landscape Art, Depictions of a Nature That Might Cease to Exist

    March 21, 2013 / 0 Comments

    I’m supposed to talk about pretty landscapes and painters from the 17th century until now that have slowly incorporated said landscapes into their paintings more and more, until finally Landscape became its own genre. And fine: nature is nice; butterflies, yay. Instead, I’d like to note that BP is sponsoring this. BP! The company that is ruining similar landscapes to the ones we’re meant to enjoy in the exhibition. Did the corporation’s discussion for putting this on the agenda include a “yeah, we better show them now before the destruction and decimation of our planet is complete”? The extraction and ceaseless use of natural gasses and oil is doing palpable…

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    Parkstone International

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    Mère et enfant (divisé), 1993, Le mensonge de Cupidon, Damien Hirst

    Shelley’s Art Musings – Le mensonge de Cupidon – Damien Hirst

    August 27, 2021

    Sunny Side Up

    February 20, 2014

    Ruskin – Modigliani: The Scandal of the Pubic Hair

    November 30, 2017
  • Art Exhibition,  Español

    La muerte también puede tener barba blanca y vestir de rojo

    December 21, 2012 / 0 Comments

    Las exposiciones de la Wellcome Collection de Londres no suelen dejar indiferentes a quienes las visitan, ya que combinan arte, ciencia y vida para crear conjuntos peculiares, aberrantes y conmovedores. Este invierno han decidido organizar una muestra acorde a las celebraciones navideñas. «Death: A Self-Portrait» nos invita a explorar trescientos objetos de la colección del neoyorquino Richard Harris relacionados con el festivo y alegre tema de la muerte y la mortalidad. «Death: A Self-Portrait» se divide en cinco bloques: la contemplación de la muerte y la intrascendencia de los placeres mundanos; el omnia mors aequat y la fugacidad de la vida; las muertes violentas a causa, sobre todo, de la…

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    安仁双年展

    October 23, 2017
    banner-from-facebook-cover

    Parkstone International presenta sus libros en formato ePub

    January 31, 2013
    Alphonse Mucha

    Alphonse Mucha et Les Femmes en Fleurs

    July 26, 2024
  • Art Exhibition,  English

    “Death and Taxes”

    December 20, 2012 / 0 Comments

    Death:  one of life’s greatest mysteries, and therefore one of people’s greatest fears. Whilst many peoples and civilisations turn to religion and faith to answer the question of the meaning of life, and the purpose of death, and whether or not life after death exists, the prospect of the actual process of dying causes fear and trepidation. Although we cannot know for sure what the exact experience of death holds for us, many people do take comfort in the knowledge that heaven, or an afterlife, awaits them.  Why, therefore, is the prospect of death such a scary one? Perhaps it is the fear of leaving the known, of leaving people…

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    Parkstone International

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    Keep It Simple, Stupid

    July 8, 2013
    Der Ozean, 1865

    James McNeill Whistler – Geboren unter einem wandernden Stern

    February 17, 2022

    THROUGH POSITIVE EYES

    October 26, 2017
  • Art Exhibition,  English

    Beer vs Art; which would you choose?

    November 27, 2012 / 0 Comments

    Picture this: it’s 1876 and you’re a dapper young heir to the Guinness name, fortune, and business – beer! You recently turned 29 years old, just bought your brothers’ shares of the company because you’ve got big plans for it, and you’ve got your whole life ahead of you. When it comes to culture and art, you’ve ensured that you are just as important as the Rothschilds, J.P. Morgan, and Henry Clay Frick. However, rather than collect a harem of courtesans and countesses, you’ve chosen to collect paintings of such ladies from the Belle Époque.     Is it because you’re an Irishman in England and long to feel closer…

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    日本武士刀

    October 25, 2017

    Dalí – Von Drachen und Regenbögen

    December 27, 2013

    Vallotton: One of Art’s Greatest Over-Achievers

    August 28, 2013
  • Art Exhibition,  Deutsch

    „Hopfen und Malz – Gott erhalt‘s!“

    November 27, 2012 / 0 Comments

    Es geht doch eigentlich nichts über ein kühles, frisch gezapftes Bier an einem heißen Sommertag an der Elbe, im Biergarten oder bei Freunden. Und während bei uns Pils und Hefeweizen ganz besonders beliebt sind, trink man im Pub im schönen Irland schon eher ein Lager, Irish red ale oder das traditionelle Guinness. Doch was hat diese Traditionsbrauerei mit dem Niederländer Rembrandt van Rijn (1606-1669), dem Engländer Thomas Gainsborough (1727-1788) und dem Flamen Anthonis van Dyck (1599-1641) gemeinsam? Edward Cecil Guinness, 1st Earl of Iveagh (1847–1927), der zwar nicht der Gründer, aber der Erbe des Familienunternehmens und nicht nur im Bierbrauen recht erfolgreich war. Mit seinen hauptsächlich in den Jahren 1887…

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    William Morris: Ein Muster ist entweder richtig oder falsch … Es ist nicht stärker als sein schwächster Punkt

    March 12, 2018

    Outdoor Sculpture Exhibition 2017

    October 31, 2017

    Goya: The Original Photojournalist?

    December 20, 2013
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