Vasily Surikov, The Conquest of Siberia by Yermak, 1895
Art,  English

The Culture and Art of the Ancient Tribes of Siberia

– Introduction video credit: Panning Shot of Steppe Grasslands video of Дима Черноусов from Pexels.
– Ending video credit: Serial Shot of a Frozen Lake video of Алексей Валеев from Pexels.

The text below is the excerpt from the book Art of Siberia (ISBN: 9781785259333), written by Valentina Gorbatcheva and Marina Federova, published by Parkstone International.

The Evenki, the Yukaghirs, the Chukchi, the Koryaks, the Nenets, the Nanai people, the Yakuts, the Tuva people . . . Cradle of many cultures, Siberia constitutes an area that is rich in human traditions, as diverse and changeable over time as the region itself. The native inhabitants of Siberia, dwellers in the lands of far-northern and far-eastern Russia – by tradition reindeer-herders, horse-breeders, hunters of marine mammals and fishermen-hunters – have, over the millennia, evolved the means by which human communities may survive in this vast desert of extreme climatic conditions in northern Asia. Through their prolonged proximity to nature, the native inhabitants of the icy, Arctic expanses have learned to make a home in the wasteland, using every natural element at their disposal to create more than rude tents and campfires: they have become artists. The tribal cultures of Siberia express themselves in everything from the intricate designs on a walrus tusk, to the many-coloured glass beads on a woman’s dress, to the delicately carved child’s toy, to the ambiguously haunting shaman’s mask. In an environment in which utility and survival are everything, these rapidly disappearing communities release their artistic cry into the wilderness.

Swampy area in the region of Yakutsk, Art of Siberia
Swampy area in the region of Yakutsk.

Unfortunately, colonization by incoming cultures has in many cases caused a significant decline in the fortunes of such groups. Confronted with the more destructive aspects of Russian expansion and the Industrial Revolution, both the indigenous cultures and their all-important environment are threatened. As reindeer and fish disappear and the native populations dwindle, we are losing the opportunity to observe these profoundly simple and diverse communities. Those with the fewest numbers today may yet witness for themselves the extinction of their ancestral cultures.

What follows is an overview of the relationship between Siberia’s extraordinary climate, the varied terrain and the peoples, along with a summary of the background from which those peoples stemmed, and accounts of historical events that dramatically altered their way of life. In the descriptions of shamanic principles, practices, and the essential role that the shaman plays in the daily lives of Siberian groups, we may glimpse the spiritual and artistic yearnings of these cultures. This book’s constant endeavour is to enable the reader to enter fully into the traditional world and shamanist mindset of the original inhabitants of ‘Russian’ Asia.

Vasily Surikov, Siberian Beauty, 1891, Art of Siberia
Vasily Surikov, Siberian Beauty, 1891. Oil on canvas, 50 x 39 cm. Tretyakov Gallery, Moscow.

“A country of intense cold and great heat. A country outwardly wretched, but hiding in its bosom incalculable treasure.”

Understood for almost three centuries to be no more than a geographical extension of the Russian state, Siberia stretches from the icy Arctic Ocean in the north to borders with Kazakhstan, Mongolia and China in the south, from the great chain of the Ural Mountains in the west to the Pacific Ocean in the east. Siberia lies (roughly) between the 45th and 77th parallels of north latitude, and extends from the 60° to the 190° of east longitude. Its most northern point is Cape Severo, or North-East Cape, a tongue of land between the estuaries of the great rivers Yenisey and Lena; Cape Vostotchni, its eastern extremity, is only forty-eight miles from Cape Prince of Wales in North America, from which it is separated by Bering Strait. Its greatest length from East to West is about 3,600 miles, and its greatest breadth from North to South a little less than 2,000 miles, forming an area which is 30% larger than Europe.

The taiga (central Yakutia)
The taiga (central Yakutia).

Many Europeans think of Siberia as a huge wilderness, remote and hostile to human habitation, mostly iced over, darkened by the polar night for a good part of the year. And yet Siberia is nothing if not diverse. From north to south there are a number of large areas that are completely different from each other in climate, terrain, flora and fauna. As you move southward, the Arctic wastes gradually transform into the tundra with its permafrost; further south, the tundra in turn transforms into the slightly warmer zones where scrubby trees will grow; further south still is the evergreen coniferous forest of the taiga; continuing south, there are the fertile steppes and then the arid steppes – and all these various ecological areas come with their own topographical relief, from low-level flatlands to massively towering peaks.

Occupying the greater part of this vast landmass, the central Siberian plateau is bound to the north, east and south by an enormous amphitheatre of mountain chains. To the north and east are the mountains of Verkhoyansk, which at their highest reach 9,097 feet (2,389 metres). Forming Siberia’s southern boundary are the Sayan mountains (9,612 feet/2,930 metres) and the ranges of the Altai (which at Mt Belukha top out at 14,783 feet/4,506 metres). Within these various chains lie the sources of the three great Siberian rivers, the Ob, the Yenisey (a name derived from Evenki ioanessi ‘great river’), and the Lena. These rivers are frozen over for much of the year – between October/November and May/June – but at other times flow powerfully across Siberia for about 2,500 miles (4,000 kilometres) until they reach the cold Arctic Ocean.

Vasily Surikov, A Shaman, sketch for ‘The Conquest of Siberia by Yermak’, 1893
Vasily Surikov, A Shaman, sketch for ‘The Conquest of Siberia by Yermak’, 1893. Oil on canvas, 25 x 23 cm. Krasnoyarskiy Kraevoy Musey, Krasnoyarsk.

The peninsula of Kamchatka, an important center of Siberian aboriginal life, is a long, irregular tongue of land lying east of the Okhotsk Sea, between the fiftyfirst and sixty-second degrees of north latitude, and measuring in extreme length about seven hundred miles. It is almost entirely of volcanic formation, and the great range of rugged mountains by which it is longitudinally divided includes five or six volcanoes that are still active today. This immense chain of mountains stretches from the fifty-first to the sixtieth degree of latitude in one almost continuous ridge, and at last breaks off abruptly into the Okhotsk Sea, leaving to the north a high level steppe called the dole or desert, which is the wandering ground of the reindeer-herding Koryaks.

The central and southern parts of the peninsula are broken up by the spurs and foot-hills of the great mountain range into deep sequestered valleys of the wildest and most picturesque character, and afford scenery whose majestic and varied beauty is difficult to match in all northern Asia. The climate everywhere, except in the extreme north, is comparatively mild and equable, and the vegetation has an almost tropical freshness and luxuriance to it…

The dance ohuokhai, the Yakut festival of Isahar
The dance ohuokhai, the Yakut festival of Isahar.

To get a better insight into Art of Siberia, please continue this exciting adventure by clicking on Amazon USAmazon UKAmazon Australia, Amazon FrenchAmazon GermanAmazon MexicoAmazon ItalyAmazon SpainAmazon Canada, Amazon JapanAmazon IndiaAmazon BrazilAmazon NetherlandsParkstone InternationalKoboBarnes & NobleGoogleAppleScribdOverdrive, Bookbeat
EllibsEbooks.com24symbolsThe Great British Book Shop, Abebooks, Book Depository

Parkstone International is an international publishing house specializing in art books. Our books are published in 23 languages and distributed worldwide. In addition to printed material, Parkstone has started distributing its titles in digital format through e-book platforms all over the world as well as through applications for iOS and Android. Our titles include a large range of subjects such as: Religion in Art, Architecture, Asian Art, Fine Arts, Erotic Art, Famous Artists, Fashion, Photography, Art Movements, Art for Children.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Share via
Copy link
Powered by Social Snap
%d bloggers like this: