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Discover the Art Nouveau in England
It traces the origins of Art Nouveau in England, revealing how its emphasis on flowing forms, natural motifs, and artistic craftsmanship helped shape a movement that transformed modern art, design, and architecture.
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Discover the colorful world of David Hockney
It examines Hockney's artistic evolution, creative techniques, and lasting impact on modern and contemporary art, revealing why his work continues to inspire audiences around the world.
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Foundations of art: The old masters in English Painting
Artists exemplified mastery in portraiture, landscapes, and historical scenes, blending classical techniques with a distinctly English sensibility. Their works continue to inspire, showcasing a golden age of art that shaped England’s cultural identity and influenced generations of painters.
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English Painting: Where to find artistic hidden gems
The English school of painting was officially recognised at the beginning of the 18th century through the work of William Hogarth. It includes works by the most famous English artists, such as Thomas Gainsborough, Joseph Mallord William Turner, John Constable, Edward Burne-Jones, and Dante Gabriel Rossetti.
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English Painting
The text below is the excerpt from the book English Painting, written by Ernest Chesneau , published by Parkstone International. Is there an English school of painting at all? Strictly speaking, the word school applies only in a very imperfect manner to the growth of painting in England. Generally it is used to designate a special collection of traditions and processes, a particular method, a peculiar style in design, and an equally peculiar taste in colouring – all contributing to the representation of a national ideal existing in the minds of the artists of the same country at the same time. In this sense, we speak of the Flemish school, the Dutch school, the…
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Titian: not overthrown by the Olympians
The National Gallery is exhibiting three of Titians most famous paintings from his Metamorphosis series, as well as reactions to it by contemporary artists, poets and choreographers, as part of the Cultural Olympiad, a “summer”-long festival in the UK celebrating Britain’s cultural landscape. Nowhere does it say that the events, acts, performances and exhibitions of this Cultural Olympiad are for British self-promotion, but with a bouncy castle Stonehenge and 37 Shakespeare plays performed in 37 languages, not to mention the patriotic opening ceremony, you have to assume that promoting Britain and her diverse cultural landscape is indeed the aim of the Games. I was surprised, then, to see that…
This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.
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