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The art of the 20th Century: A century of innovation and change
The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new.
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The Pop Art Tradition – Celebrating the Ordinary in Extraordinary ways
Naturally, the book discusses the major contributors to the Pop/Mass-Culture Art tradition right down to the present, in the process including a number of artists who have never previously been connected with so-called ‘Pop Art’ but who have always been primarily interested in mass-culture, and who are therefore partially or totally connected with Pop/Mass-Culture Art.
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Yayoi Kusama: The Queen of Polka Dots and Infinity
Kusama's innovative and bold style has made her one of the most influential figures in contemporary art, with her iconic infinity rooms and vibrant polka dot motifs captivating audiences worldwide.
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American Graffiti: A journey to modern “Writing” and “Tagging” art
Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.
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Vantablack- The blackest black ever
In 2015, sculptor Anish Kapoor bought the black colour from Surrey NanoSystems. Not just any black: the Vantablack black which has specific chemical properties that do not occur in nature. This black, which was created for military use, is so deep that the volumes can no longer be distinguished. So it’s an ideal camouflage. Basically, this event is not new insofar as, in 1960, Yves Klein had deposited a blue colour in his name (the International Klein Blue or IKBlue). Nevertheless, Yves Klein had only legally appropriated the chemical recipe for this particular blue and, unlike Anish Kapoor’s Vantablack, everyone has the right to freely use the IKBlue. What is…
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Welcome To The Radical World Of Contemporary Collage
Think of an artist locked up in the studio, trembling before a blank canvas, paintbrush in hand, ideas and potential visions swirling in the imagination. Now, think of an artist amidst a heap of materials — magazine clippings and unfinished artworks, scraps of junk and found photos. There is no empty canvas, no distinct point of origin — only radical potential, endless inspiration, shifting possibilities. The art of collage is not just about cutting and pasting. For collage artists, the reigning motif of the singular genius creating beauty from nothing has been replaced by an endless sea of images and influences, hungry to be snatched up, transformed, remixed and spit out.…
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