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The evolution of religious icons in Súzdal, Novgorod, and the Greco-Italian school
During the 12th to 14th centuries, the development of religious icons in regions such as Súzdal and Novgorod in Russia, and the Greco-Italian school in Southern Europe, reflected a blending of Byzantine influence with local artistic traditions.
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Exploring the Rich Tapestry of Early Italian Painting from Giotto to Ghiberti
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels.
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Leonardo Da Vinci – Artist, Thinker, and Man of Science
The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times.
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Finding true beauty in “Homosexuality in Art”
This book is not a panegyric of homosexuality. It is a scientific study led by Professor James Smalls who teaches art history in the prestigious University of Maryland, Baltimore. Abandoning all classical clichés and sociological approaches, the author highlights the sensibility particular to homosexuals.
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Da Vinci and his hidden passions
Exhibition: Leonardo da Vinci (1452 – 1519) Date: October 24, 2019 to February 24, 2020 Venue: the Louvre museum The text below is the excerpt of the book Gay Art, written by James Smalls , published by Parkstone International. Leonardo has long been considered the epitome of the universal genius for his achievements in the arts and sciences. He is, along with Michelangelo, the most written-about figure of the Italian Renaissance. Many writers and scholars have taken a keen interest in Leonardo’s sexual orientation and its effects on his artistic and scientific works. Interpreters of Leonardo’s art and life have used fragmentary notebook jottings, his choice of shop assistants, the androgyny of some of…
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Leonardo Da Vinci – The Architect
The text below is the excerpt of the book Leonardo Da Vinci, written by Eugène Müntz, published by Parkstone International. Taking into account the scope and variety of his knowledge in the exact sciences, it was natural that the artist should have burned to try his hand at architecture. And, as a fact, problems of construction occupied him as much as problems of aesthetics; hence we find him searching into the causes that produce fissures in walls and niches, inquiring into the nature of arches and so on. The acoustics of church buildings also occupied him a good deal; he tried to discover an architectural combination that would enable the preacher’s…
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Leonardo Da Vinci – The Master of Science
The text below is the excerpt of the book Leonardo Da Vinci, written by Eugène Müntz, published by Parkstone International. An alliance between art and science was no new thing in Italy. Minds trained in the incomparable gymnasium of classic education could attack the most various tasks without danger of a check. In such an enterprise the painter of the Last Supper and the sculptor of the Sforza statue could justify himself by the example of many a famous Italian. Brunellesco had been an ardent student of mathematics; Piero della Francesca of geometry; Alberti had composed the Ludi Matematici and invented a way of measuring the depth of the sea…
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Leonardo: “The laws of the Italian Renaissance, and the geometry of universal beauty”.
A profound savant and an incomparable creator, Leonardo was the only artist in the history of mankind who has delved into the most radiant beauty and who has united the science of Aristotle with the art of Phidias.
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