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Fetishism and women’s underwear: from private clubs to the catwalk
From corsets to lace, its allure is shaped by personal attraction, societal norms, and artistic representation, making it a complex and enduring aspect of fetish culture and self-expression.
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Dessous: Mehr als nur Unterwäsche
Die Dessous können einer Frau helfen, sich in ihrem Körper wohl zu fühlen, ihn mehr zu lieben und anzunehmen, dadurch glücklicher zu sein und vor allem echtes Selbstbewusstsein auszustrahlen.
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Lingerie: More Than Just Underwear
Lingerie can help a woman feel good about her body, helping her thus to like and accept it, and in doing this, affirming a real sense of self-confidence.
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Exploring the Beauty and Sensuality of the Human Form: Erotic Photography
The very first images are only of landscapes or reproductions of objects. It was very difficult to photograph nudes or take portraits given that a posing time of several minutes was required. However, this duration was reduced to tens of seconds shortly after. While the process became international, France retained its hegemony particularly with regards to erotic photography, which appeared immediately. The first nudes must have been taken as early as 1840.
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Oh nostalgia, when you take possession of our senses, there is no escape!
Erotic photo art has lost much of its exquisite soul since Playboy and other girlie monthlies repackaged the human body for mass-market consumption. Like much painting, sculpture and engraving, since its beginning photography has also been at the service of eroticism.
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Women of the Pre-Raphaelite Movement: Models, Muses, Lovers, Artists
When you think of “Pre-Raphaelite”, what comes to mind? For me, it is male painters, female subjects, a lot of nature, and vivid colours. And for 95% percent of paintings produced by this movement, this is the reality. The key members of the group (Hunt, Millais, the two Rossettis, Collinson, Stephens, and Woolner) were all men. Together, they created a secret group called the Pre-Raphaelite Brotherhood. Like just about every other artistic movement, the Brotherhood wanted reform. They rejected the academic styles of Raphael and artists after him, finding them idealised and corrupted. The Brotherhood sought a return to the Pre-Raphael Italian style with its vivid colours and imitation of…
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