Parkstone Art

This is an interactive art blog in multi languages, you will find new articles on artists, art history, exhibitions, etc. Contributions welcome.

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  • About us
  • Our Sites
    • Parkstone main website
    • Ebook Gallery
    • Image-bar
  • Catalogue
  • Art Book List
  • Audiobooks
  • Hardcover Book Shop
  • Languages
    • English
    • Deutsch
    • Français
    • Español
    • Italiano
    • 中文
  • Français

    Blake connaissait déjà le Coronavirus en 1795

    April 10, 2020 / 0 Comments

    Le texte ci-dessous est l’extrait du livre William Blake: écrit par Osbert Burdett, publié par Parkstone International. La magie singulière de Blake consistait à attiser les sentiments tout en s’adressant, apparemment, à la raison. La clé réside dans l’assimilation qu’il faisait entre « intelligence » et « imagination ». Sa propre prose fournit le meilleur vernis pour sa poésie et ses idées axiomatiques sont simples. « L’énergie est l’éternel délice » ; « Le Bien est le passif qui se soumet à la Raison. Le Mal est l’actif qui prend source dans l’Énergie. Bien est Ciel. Mal est Enfer. » Ce faisant, Blake fait allusion à Milton et proteste, comme tous…

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    Parkstone International

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    Turner-Clare Hall and King’s College Chapel

    J.M.W. Turner

    July 9, 2018

    Ruskin – Modigliani: Le Scandale des Poils Pubiens

    November 30, 2017
    Lawrence Alma-Tadema, Étude de « La fête des vendanges », vers 1869. Pierre noire et mine de plomb sur deux feuilles de papier vélin, 24,3 × 55,7 cm. Collection Lanigan, Saskatoon. Promesse de don au Musée des beaux-arts du Canada. Photo © MBAC

    L’Éveil de la beauté : les dessins des préraphaélites

    November 30, 2015
  • Artist,  Deutsch

    Wir bitten um einen Kommentar über: William Blake kannte bereits in 1795 den Coronavirus

    April 7, 2020 / 0 Comments

    Der untenstehende Text ist ein Auszug aus dem William Blake von Osbert Burdett, herausgegeben von Parkstone International. Blakes wundersamer Zauber ging davon aus, Gefühle aufzuwühlen, wo scheinbar der Verstand angesprochen wurde. Der Schlüssel liegt hier in seiner Gleichsetzung von „Verstand“ und „Imagination“. Seine eigenen Prosaschriften sind das beste Referenzmaterial zu seiner Lyrik und seine axiomatischen Vorstellungen sind überaus schlicht: „Energie ist ewige Freude;“ „Gut ist das Passive, das der Vernunft gehorcht. Böse ist das Aktive, das der Energie entspringt. Gut ist Himmel. Böse ist Hölle.“ Somit behauptete Blake – in Anlehnung an Milton, und sich wie alle Mystiker, einschließlich Bunyan25, dagegen erhebend, Religion mit Moral zu verwechseln –, dass die Begriffe „gut“…

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    Anonymous, A mother bear licking her cub to give it its shape, 2nd quarter of the 13th century Southern England (Salisbury?), 310 x 230 mm. Harley 4751, f. 15v, detail, British Library

    Beauty and the Bestiary

    October 30, 2014
    Brig “Mercury” after a Victory over Two Turkish Ships, 1848

    Ivan Aivazovsky and the Russian Painters of Water

    March 2, 2023
    The Parasol, 1777

    Goya: Blood, tragedy and eternal Spain

    September 6, 2022
  • English

    William Blake already knew about the Coronavirus in 1795

    March 27, 2020 / 0 Comments

    The text below is the excerpt from the book William Blake, written by Osbert Burdett, published by Parkstone International. Blake’s peculiar magic was to stir the feelings when appearing to address the mind. His identification of “intelligence” with “imagination” is the key. His own prose provides the best glosses on his poetry, and his axiomatic ideas are simple. “Energy is eternal delight;” “Good is the passive that obeys reason. Evil is the active springing from energy. Good is heaven. Evil is hell.” Thus, taking a hint from Milton, and protesting as all mystics, including Bunyan, have protested that religion is not to be confused with morality, Blake asserted that the words good…

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    Claude Monet, Water Lilies, 1914-1915, Impressionism

    Impressionism: a Disney movie without all of the singing

    May 2, 2013
    Michelangelo Buonarotti, Study for the Head of Leda, c. 1530. Red pencil on paper, 35.4 x 26.9 cm. Casa Buonarroti, Florence.

    Michelangelo, the Head of Leda and a Royal Evildoer

    January 14, 2016
    Art of the 20th century

    The art of the 20th Century: A century of innovation and change

    November 18, 2025
  • Art

    Albert Durer's Rabbit in High Resolution

    September 11, 2014 / 0 Comments

    Click to appreciate the amazing detail and definition of Durer’s illustration in High Resolution!!

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    Art Nouveau, England

    Discover the Art Nouveau in England

    August 25, 2026
    La Peinture Russe

    Sol et esprit : le paysage russe reflété dans l’art

    February 27, 2026
    Anastasis, 14th century, Icons

    A representative selection of ICONS from the 11th century to the late Baroque period

    April 12, 2022
  • Art,  Art and Design,  Art Exhibition,  English

    The Pleasures of Shunga

    December 9, 2013 / 0 Comments

    Tea ceremonies, bullet trains arriving to the exact second, intricately dressed, immaculate geisha and the importance of keeping face: these common images of Japan conjure up the notion of a highly-controlled and conservative society. Graphic images of enormous penises and a woman being pleasured by an octopus are not, perhaps, what you might expect. And indeed for the last century and a half the explicit art of shunga, or ‘spring pictures’ has been taboo in Japan- yet this only came about once the country began to absorb Western cultural influences. Before the late-19th century, the Japanese did not share the dominant Western idea that fine art and pornography were very…

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    Parkstone International

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    Abend, 1914

    Pierre Bonnard – Der ‚Prophet‘ des Post-Impressionismus

    October 6, 2022
    Isaac Levitan

    Isaac Levitan: Painting emotion through “landscape”

    May 12, 2026

    WAS VAN GOGH EAST COAST OR WEST COAST? WEST COAST, MOS’ DEF’!

    May 13, 2016
  • Art Exhibition,  English

    The Power of Books

    April 29, 2013 / 0 Comments

    We all had that moment in childhood didn’t we… when the pretty pictures in books suddenly came second to what the pages were actually saying. (Well, for some people, maybe that hasn’t happened yet.) But for a time, shorter or longer depending on the individual, it was a book’s illustrations which were a big factor in what drew us to a particular book.

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    Parkstone International

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    Célebre señor Van Gogh

    March 3, 2014

    William Morris: Ein Muster ist entweder richtig oder falsch … Es ist nicht stärker als sein schwächster Punkt

    March 12, 2018
    Der Ozean, 1865

    James McNeill Whistler – Geboren unter einem wandernden Stern

    February 17, 2022
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