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A quiet elegance: The timeless art of Albert Marquet
It is a paradox that Marquet belongs more to the past and future than to the present. His art awaits the silence that is yet to fall. He nevertheless teaches us to appreciate the riches of meditation, directing us to that exalted place of peace so central to his vision.
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Happy Birthday, Pierre Bonnard!
Bonnard's work is celebrated for its vivid use of color and intimate, domestic scenes. He masterfully captured the play of light and shadow, infusing everyday moments with a sense of enchantment.
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Nicolas Poussin – The Master of a Pictorial Universe with a Richness of Inspiration and Spiritual Depth
Nicolas Poussin(1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into).
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Pierre Bonnard – The “prophet” of Post-Impressionism
Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionised decorative painting during one of the richest periods in the history of French painting.
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The Social World of Élisabeth Louise Vigée-Lebrun
Élisabeth Vigée-Lebrun (1755-1842) was not only the rare woman of her time who integrated herself into the French Royal Academy of Painting, but also beloved portraitist to the aristocracy.
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Élisabeth Louise Vigée-Lebrun (English version) – W. H. Helm
Élisabeth Vigée-Lebrun was not only the rare woman of her time who integrated herself into the French Royal Academy of Painting, but also beloved portraitist to the aristocracy. Self-taught, Vigée-Lebrun knew how to get the best from her models, mastering painting effects to perfection and making use of a delicate and refined style.
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100th Anniversary of The Passing of Auguste Renoir (1841 – 1919)
The next Sunday, 3rd December 2019, marks the 100th anniversary of the passing of one of the greatest artists in the world, Pierre-Auguste Renoir. We miss him so much!
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Spotlight on Felix Vallotton (1865-1925)
Exhibition: Felix Vallotton – Painter of disquiet Date: 29th October to 26th January 2020 Venue: At The Met Fifth Avenue The text below is the excerpt of the book Félix Vallotton, written by Nathalia Brodskaïa, published by Parkstone International. That very strange Vallotton – that was how Thadée Natanson, the publisher of La Revue Blanche magazine, referred to the friend of his youth. In fact, Félix Vallotton did not bare his soul immediately, even to close friends. In the artistic milieu of Paris to which they both belonged, there were no ordinary people, but even among them, Vallotton stood out as being a most unusual individual. The reasons lay not…
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Happy Birthday to Gustave Courbet
President Emmanuel Macron paid tribute to Gustave Courbet, the painter of scandal: the Vendôme Column, the case of The woman with the Parrot, and The origin of the world. The text below is an excerpt of the book Gustave Courbet, written by Georges Riat, published by Parkstone International. Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism. The Vendôme Column At the end of the deliberation of the…
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Pierre Bonnard – The colour of history
In October 1947, the Musée de l’Orangerie arranged a large posthumous exhibition of Bonnard’s work. Towards the close of the year, an article devoted to this exhibition appeared on the first page of the latest issue of the authoritative periodical Cahiers d’Art. The publisher, Christian Zervos, gave his short article the title “Pierre Bonnard, est-il un grand peintre?” (Is Pierre Bonnard a Great Artist?) In the opening paragraph Zervos remarked on the scope of the exhibition, since previously Bonnard’s work could be judged only from a small number of minor exhibitions. But, he went on, the exhibition had disappointed him: the achievements of this artist were not sufficient for a…
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