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Messengers of Hope: The Symbolism of Angels in Pictures of the Virgin Mary
Angels add a sense of heavenly grace and spiritual significance to images of Mary, reinforcing her role as an intercessor between humanity and the divine. Through their presence, artists convey the belief in Mary's perpetual intercession and the divine assistance offered to believers through the heavenly hosts.
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The Pop Art Tradition: Where Art, Advertising, and Society Collide
The Pop Art Tradition explores the intersection of art, advertising, and society, showcasing how these elements influence and shape each other in a culturally significant way.
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The Blue Period and Beyond: Picasso and His Timeless Imprint on the World of Art
In this book one can find many artworks created by Picasso between 1881 and 1914. Apart from a selection of Picasso’s first paintings, it also presents several drawings, sculptures and photographs.
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The Enigmatic Genius of Johannes Vermeer: Unlocking the Secrets of a Master Painter
Vermeer revolutionised the way in which we use and make paint and his colour application techniques predate some of those used by the impressionists nearly two centuries later. Girl with a Pearl Earring remains to this day his greatest masterpiece.
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Pablo Picasso – A painter among poets, A poet among painters
In this book one can find many artworks created by Picasso between 1881 and 1914. The first style of the artist was influenced by the works of El Greco, Munch and Toulouse-Lautrec, artists that he discovered when he was a student in Barcelona...
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Egon Schiele – One of the great Expressionist painters
Egon Schiele's roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt.
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Leonardo Da Vinci – Artist, Painter of the Renaissance
Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist.
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Castiglione: Lost and Found – An Italian baroque master resurfaces from oblivion
Even if you have never heard the name Giovanni Benedetto Castiglione (1609-1664) – and admittedly there are many of us that haven’t – the title ‘Lost Genius’ given to the exhibition curated by the Queens Gallery[i] now travelling to the Denver Art Museum may raise a few questions. How can one lose a genius? It is up to the British Royal Collection to answer that since they did indeed. Castiglione’s work was never physically lost, his drawings never stolen, or misplaced, he merely got forgotten. It was King George III who purchased a large share of the Genoese artist’s works, close to 100 drawings, etchings, and monotypes, estimated to be…
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Drawing Towards the Limelight
Often thought of as a secondary art form, less important than painting, the art of drawing is beginning to enjoy the limelight. Museums around the world are mounting exhibitions focusing on the underrated art of draughtsmanship, and Parkstone’s new book 1000 Drawings of Genius showcases the finest works that this genre has to offer. A genius is defined as “a person with exceptional ability”. And certainly there are those famous draughtsman of yore whose work seems highly worthy of this title. Traditionally the figureheads that spring to mind include the classicists da Vinci, Michelangelo, and later, Rembrandt. The work of these men does seem beyond the stretch of the average…
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Goya: The Original Photojournalist?
Admittedly, Goya never actually took photos. But replace his pencil and etching tools for a camera and Goya was predating the practice of objective war photojournalism by centuries. During the terrible Peninsular War of 1808-1814, the artist visited the Spanish countryside and witnessed unimaginable horrors. His recordings of these became the powerful series Disasters of War, which would go unpublished until thirty years after his death. Goya completed these works for himself, recording simply what he saw and what drew his attention, rather than what any patron wanted to see. Although taken individually they could be powerful propaganda, as a whole the series takes no sides. Goya portrays with equal…






























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