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Splendor on Paper, The World of Mughal Painting
More than illustration, Mughal Paintings are a visual history of India’s golden age, where art became both a symbol of power and a celebration of beauty.
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The essence of Indian art through the ages
From the Greeks, Persians, and Central Asians to the Arabs and Mughals, these interactions introduced new art forms, architectural styles, and cultural practices.
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The Language of Gesture: Exploring Symbolism in Islamic Sculptures
Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean.
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The Art of the Shoes – A 40.000 year History
Illustrated with an iconography that is exceptional both for its aestheticism and the pieces chosen, this book is a reference for historians, sociologists and for the fashion victims and designers…
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Unity in diversity makes Indian culture unique
Characterised by its elegance, splendor, and Persian and European influences, Mughal Art manifests itself equally well in architecture and painting as in decorative art.
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Kama in Sanskrit can mean “love”, “desire”, or “pleasure”
Kama Sutra pays homage to the magic of love and is a universal educational manual. This edition is tastefully illustrated with refined frescos and delicate prints.
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Marco Polo and the Silk Road
The original manuscripts were accompanied with illustrations realised from the few descriptions made by the traveller. Following in the footsteps of Marco Polo, the various illustrations found here will send the reader on the path to discovering the distant lands as we know them today.
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Art of India: A Mirror of India’s Incredible Culture
From Hinduism, with its pantheon of imagery of gods, goddesses, animals and many other figures, to Islam, with its astounding architecture and intricate calligraphy, the many facets of India have given rise to a fascinating and beautiful collection of artworks.
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Art of Islam – Splendours of Islam
Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.
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Islamic art is not the art of a nation or of a people, but that of a religion…
Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value.





























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