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Ukiyo-E: Exploring the themes of Japan’s floating world
Ukiyo-E artists, such as Hokusai and Hiroshige, captured the elegance of nature, the vibrancy of city life, and the ephemerality of pleasure, creating a visual legacy that continues to inspire and fascinate the world.
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Kitagawa Utamaro, the Master of Ukiyo-e and his Pioneering Portraits of Edo
Utamaro, a prominent Japanese ukiyo-e artist of the Edo period, is renowned for his exquisite woodblock prints. His masterful portrayal of bijin-ga, or images of beautiful women, captures the essence of the Floating World with unparalleled elegance.
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Utamaro – Pictures of the floating world
The coloured prints of Utamaro are, as Edmond de Goncourt wrote, a “miracle of art” in which he brought these impressions to an absolute and unsurpassable degree of perfection. The influence of Utamaro, Hiroshige and other masters of Ukiyo-e* revolutionised the sense of colour in the world of art.
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Hiroshige – One of the the most famous Japanese artistic productions
The art of the Ukiyo-e reflected the artistic expression of an isolated civilisation which, when it became accessible to the West, significantly influenced a number of European artists. The three masters of Ukiyo-e: Hokusai, Utamaro and Hiroshige, are united here for the first time to create a true reference on Japanese art.
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Hokusai – Japan’s most internationally-renowned artist, a master of Ukiyo-e art
His style of art and subject evolved as many times as he changed his name, but Hokusai’s talent as an artist remained constant and his influential role in later art movements such as Art Nouveau and Impressionism remains eternal.
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The Pleasures of Shunga
Tea ceremonies, bullet trains arriving to the exact second, intricately dressed, immaculate geisha and the importance of keeping face: these common images of Japan conjure up the notion of a highly-controlled and conservative society. Graphic images of enormous penises and a woman being pleasured by an octopus are not, perhaps, what you might expect. And indeed for the last century and a half the explicit art of shunga, or ‘spring pictures’ has been taboo in Japan- yet this only came about once the country began to absorb Western cultural influences. Before the late-19th century, the Japanese did not share the dominant Western idea that fine art and pornography were very…


















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